In the wake of the recent terror attack in Pahalgam, Jammu & Kashmir, tensions have escalated nationwide, spilling over into the entertainment industry. The latest target of public outrage is Abir Gulaal, the much-awaited film that was set to mark Pakistani actor Fawad Khan’s return to Indian cinema. However, amid heightened emotions and political sensitivity, the film’s future release is now hanging by a thread.
Initially scheduled to hit theatres on May 9, Abir Gulaal, which also stars Vaani Kapoor, is reportedly facing strong resistance from theatre owners and distributors who are hesitant to screen a film featuring a Pakistani actor during such a volatile time. Insiders suggest that the film’s release is likely to be postponed until the situation settles.
Speaking to Hindustan Times, an industry source revealed, “The production house is currently in talks with distributors and exhibitors, but the chances of a May 9 release are slim. Given the current sentiment, many theatres are unwilling to take the risk.”
The controversy intensified after Ashoke Pandit, President of the Indian Film & Television Directors’ Association (IFTDA), condemned the film’s release amidst national grief. “This is not just an incident—it’s an act of war,” he said. “We have long requested the industry not to work with Pakistani artists. They talk about art and community, but the nation comes first.”
Echoing these sentiments, BN Tiwari, President of the Federation of Western India Cine Employees (FWICE), issued a stern warning: “We will not allow Abir Gulaal to release in India. If the makers move ahead, strict action will be taken.”
Directed by Aarti S Bagdi, Abir Gulaal was envisioned as a grand comeback for Fawad Khan in the Hindi film industry. However, what was supposed to be a cinematic milestone has now become a lightning rod for controversy. With growing calls for a boycott and major film associations standing firmly against its release, the film’s fate remains uncertain.
As the nation continues to process the tragedy in Pahalgam, Abir Gulaal finds itself caught in the crossfire between art and national sentiment, raising bigger questions about the future of cross-border collaborations in Indian cinema.
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